COURSES / PERSONABLE MACHINES / RESOURCES
REFERENCES
· INSPIRATION
References &
inspiration.
Key precedents in animacy, machine personality, and design within constraints — from foundational psychology experiments to contemporary robotic art.
01
PRECEDENTS
Psychology · 1944
Heider & Simmel
Viewers instinctively assign emotions, motivations, and social
attributes to abstract geometric shapes once they begin moving —
demonstrating the power of motion to imbue personality into
non-human forms.
Robotic Art · 1968
Edward Ihnatowicz — S.A.M.
Sound Activated Mobile. Debuted at the Cybernetic Serendipity
exhibition; listens and reorients itself toward the most persistent
sound source. Viewers perceive "a face" in its microphone array.
Animation · 1986
Pixar — Luxo Jr.
The iconic animated desk lamp that demonstrated a full range of
personality through motion alone. A landmark in proving that
simple forms can carry complex emotional expression.
Interactive Art · 2003
Kelly Dobson — Blendie
A blender that responds to human vocal sounds, increasing speed
and intensity as the user growls at it. Demonstrates how even a
kitchen appliance can feel sentient through responsive behavior.
Robotic Installation · 2008
Golan Levin — Double-Taker (Snout)
A worm-like robotic googly eye that tracks museum visitors using
custom real-time tracking and kinematic software to perform
convincing double-takes that suggest surprise.
02
READING
Everything is Someone
Seven future fables exploring where technology intersects with philosophy — a man who wants to become a table, a vacuum cleaner purchasing another vacuum cleaner. How emerging technologies blur distinctions between humans, devices, and natural entities.
03
PARTNERS
Host
Eames Institute
Dedicated to advancing the Eames legacy of problem-solving through
design, the Eames Institute hosts workshops, exhibitions, and
research programs.
Sponsor
Steve Jobs Archive
A curated collection honoring Steve Jobs's legacy, supporting mentorship
programs and creative education through the SJA fellowship.